Today I'm playing host to author Erin Bow. She's a Canadian, a mother, and a poet, among other things. Erin's debut YA novel, Plain Kate, released this month. My review will be posting tomorrow, but first, let's get to know the author!
NotNessie: Let's play Three Truths and a Lie. Tell me four facts about yourself, one of which is fictional, and we'll try to guess which is which. (Readers, you'll find the answer at the bottom of this post.)
Erin Bow:
1. My writing office is in the spare room of a pole dancing studio. It's painted bordello red with black trim.
2. I can describe a jaw-dropping variety of sexual acts in Latin.
3. I name my cats after the muses. I've had five over my life, so the current feline is stuck with "Polyhymnia."
4. I can rattle off the the names, charges, and iso-spins of all six quarks.
NN: I'm always interested to know how authors spend their time when they aren't writing. What does a typical day in your life look like?
EB: My husband
James Bow is also a YA writer, and we have two little girls, Eleanor, who's two, and Vivian, who's four and a half. We get up early -- which would not be my preference, but a four-year-old is a good alarm clock -- and bustle around a little, getting Vivi to school and Nora ready for the day. Then I take my bike and ride 3 clicks downtown to my writing office, where I work until the end of the school day. My office is so marvellous! It's the best thing I ever did for my writer-self.
I like coming home at 3:00 or 4:00, because I love to cook, and it's hard to do a decent job of cooking when you get home at 5:00 and kids want to be fed at 5:30. So I cook. I stick James with the clean up and take the kids outside for a few hours. We muck about in the garden or decorate the street with chalk or go to the condo playground, where Nora likes to dig sand and Vivi likes to assemble a small team of other children and lead them on a mission. We go inside and shuffle kids and books and baths and beds. After bedtime the grownups sometimes watch a video, but more usually try to catch up on blogs and social media.
It's a ridiculously dull and domestic little life. I never pictured myself having one of those, but it suits me.
NN: It's curious how often life works out that way =o)
When writing PLAIN KATE, did you begin with a story, a character, or something else entirely? What was the spark that started the fire?
EB: 
I think most writers have something that's "given" -- the part of the book they don't have to work for. For me, it's a character and a set-up. From the instant I started PLAIN KATE, I had knew Kate was an orphaned wood carver who would sell her shadow and whose cat would talk. Who she sold the shadow to, and why, and what she and the cat did after -- the whole rest of the book -- I fumbled and scribbled and slowly tried to figure out. But Kate herself and these essential facts about her just stepped into my head, real as real, a gift from wherever these gifts come from.
NN: What do you hope readers will take away with them after finishing your book?
EB: I hope to provoke the ending sigh. You know the ending sigh? The one where you close the cover and sigh and think: Oh, I just read a
book.
NN: How does your mindset change when writing for young adults rather than adults?
EB: I don't think it does change. The thing is -- and don't tell my publisher -- I don't really write for young adults. I write for myself. I write the book I want to read.
As it happens, I like to read YA, and I like to read fantasy. There aren't enough books like, say, LeGuin's EARTHSEA or Beagle's THE LAST UNICORN, so I have set out to try to write more. Who ends up reading them doesn't seem like something I should worry about while writing.
NN: THE LAST UNICORN is a favorite of mine from way back. Another book with a fabulous talking cat.
What were the best and worst bits of the writing/publishing process for you?
EB: The worst part of writing is those days when you sit down and you'd rather surf the internet, you'd rather scrub the toilet, you'd rather chew off your own foot than write. There are times in my writing life when this inertia is tremendous. When I feel like a fraud and a failure. When every word has to get dragged onto the page, where it lies still, panting and looking at you reproachfully.
The best part is the days where you actually create something and it's whole and real. Sometimes, oddly, those are the same days where you begin by chewing off your foot.
Also good: selling the book and ditching the day job. Holding the finished book in your hand for the first time. And hearing from readers.
NN: Can you tell us a little bit about your next work in progress?
EB: Sure. It's called SORROW'S KNOT, and it's almost done. Here's the pitch:
In the world of Sorrow’s Knot, the dead do not rest easy. Every patch of shadow might be home to something hungry and nearly invisible, something deadly. The dead can only be repelled with magically knotted cords and yarns. The women who tie these knots are called binders.
Otter is the daughter of Willow, a binder of great power. She's a proud and privileged girl who takes it for granted that she will be a binder some day herself. But when Willow's power begins to turn inward and tear her apart, Otter finds herself trapped with a responsibility she's not ready for, and a power she no longer wants.
NN: What is the last book you absolutely loved and think everyone should read?
EB: I'm probably going to sound like a pedant, but I think I have to pick Animal Vegetable Miracle, a non-fiction book about ways of eating and cooking that are in harmony with what one (or one's neighbours) can actually grow.
I like nonfiction. There's nothing like it for shaking up the way you see the world. Animal Vegetable Miracle changed the way I think in the kitchen, and is informing how I treat food in my fiction. My fantasy characters are never going to be the ones eating Dwarven Waybread and Suspiciously Generic Stew.
If I were going to pick a YA, it might be
HOW I LIVE NOW
, by Meg Rosoff. I've bought seven copies of that to give to friends and spread the word. And that was before she blurbed me!
NN: Suspiciously Generic Stew? LOL! I've actually never thought about that before, but now I'm sure I'll notice it all the time. Thank you so much for doing this interview with me, Erin! It's been fun.
Erin's Truths and Lie
1. The Bordello Office: Truth. The sublease is cheap, and the dancers are only here at night.
2. Classic Sex: Truth. I'm working on a book of poems based on the poems of Catullus, which has expanded greatly on the vocabulary once taught to me by Sister Mary Catherine.
3. The Muse of Cats: A lie. My cat is named Augustus Asparagus, First Cat of the Empire -- Gus for short.
4. Quarks: Truth. I haven't retained much of my ridiculous education in particle physics, but this is still rattling around in the brain.
Thirsty for more? Check out Erin's website. Erin will also be appearing at the Word on the Street festival in Kitchener, ON. It's this weekend, Sept. 26. If you live in the area, you should definitely stop by!
GIVEAWAY
Courtesy of Scholastic Canada, I have one copy of PLAIN KATE to give away to a reader who lives in Canada. To enter, leave a relevant comment on this post, and then fill out
THIS FORM. You must comment and fill out the form for your entry to count. Contest closes at 11:59 PM on Sept. 29, 2010. Good luck!