Teenage hero(es) with powers they are only beginning to realize? Check. Cheeky mythological sidekick? You bet. Gods and legendary creatures? Natch. Ok, you could argue that Riordan is sticking pretty tightly to the formula that made the Percy Jackson series a success. You'd be right. But here's the thing about formulas: they work. If you liked Percy Jackson, you can head into the Kane Chronicles feeling fairly certain you're going to be a happy reader.Sadie and Carter Kane have always envied each other. Carter would give anything to have a stable life with a real home and school like Sadie. For her part, Sadie wishes she could be Carter, living an adventure every day as he travels around the world with their Egyptologist father. At the bottom of it all, the siblings just really don't know or understand each other. When Professor Julius Kane accidentally blows up the Rosetta Stone and disappears, he leaves his children to cope with the aftermath, and Carter and Sadie are going to get a crash course in Sibling Relationships 101. Which is really the least of their worries, as they soon learn that Daddy's accident released a quintet of Egyptian gods into the world, and the most powerful of these, Set, is working hard to crown himself the Evil Lord of the earth. Pursued by magicians and creatures of mythology, Sadie and Carter will need to rely on each other as they seek allies and try to stop Set's plan.
In this case, we get two spunky teenage heroes for the price of one. (ok, Sadie's just twelve, but she's old for her age =o)) The story is told in alternating, first-person POV, with Carter taking a couple of chapters, then Sadie taking a couple. Not always my favorite literary device, but I thought it really worked here for a couple of reasons. First, Riordan has done a great job of giving each narrator a distinct voice, eliminating all that "wait a second who's talking now?" awkwardness. The alternating POV also allows for some very entertaining interactions between the characters as narrators, outside of the story itself. As always, Riordan's protags have a fresh, funny, easy-to-read voice and a realism that creates instant sympathy with the reader. LOVE Sadie and Carter. I command it.
Of course, the story wouldn't be complete without a full cast of mythological beings, both good and evil. I definitely got the sense that Riordan invested a lot of time in the research for this book, and it shows in the detail. Legends spring to life; by the end of this book I felt like I grew up on Egyptian mythology. I can't believe I'm saying this, but it was almost a little heavy on the detail. At over 500 pages, The Red Pyramid is a bit of a chunkster, and I felt that a bit of that could have been cut without the world-building feeling skimpy. Overall, the humor and action were enough to keep pages madly flipping long into the night.
As a final note, one of my favorite things to do when I pick up one of Rick Riordan's books is to read the chapter titles. A couple of my favorites this time around: "I Have a Date with the God of Toilet Paper," "We Win an All-Expenses-Paid Trip to Death," and "Muffin Plays with Knives."
Book Two, The Throne of Fire, will be on sale May 5th.






